Today, the chair is made from high-quality sustainable options like santos palisander and walnut. When the manufacturer increased focus on sustainability in 1990, it discontinued the use of Brazilian rosewood. Though those principles remain, Herman Miller has made slight alterations for modern times. “It was designed for comfort and handcrafted from beautiful, high-quality materials.” The qualities that made it a success in the first place are what make it timeless,” says Herman Miller archivist Alexa Hagen. To create an intimate, clubby sitting area in his London flat, Hubert Zandberg installed custom-made rosewood and brass paneling, mohair curtains, and an eclectic mix of vintage seating that includes an Eames lounge chair, a Cini Boeri sofa for Knoll, and an armchair by Preben Fabricius and Jørgen Kastholm. But the spotlight has lasted much longer than 15 minutes, and the chair has been in production exclusively with Herman Miller ever since. ![]() A five-point “star” base in cast aluminum (four points for the ottoman) offered maximum support and allowed the chair to swivel in any direction.Īfter its release, the stylish piece rose to fame on Home, an NBC television program with Arlene Francis. The seat’s two back cushions, filled with feather and down over a foam rubber core, were created to snap on and off for easy cleaning, making them both reversible and interchangeable. Recommended: Tour Hubert Zandberg’s Treasure-Filled London Flatĭesigned for Michigan-based furnishings retailer Herman Miller in 1956, the Eames lounge chair and ottoman was crafted from Brazilian rosewood and could be finished in a range of upholstery options, including fabric, Naugahyde, and leather. After the war, the Eameses focused on the domestic sphere, and in the late 1950s, set out to create a chair with, as Charles said, the “warm, receptive look of a well-used first baseman’s mitt.” In fact, one of their earliest designs with the material was a leg splint for wounded soldiers during World War II. ![]() Photo: Herman Millerįunction was in fact the driving force for the couple, who spent the early years of their marriage experimenting with molded plywood. An early advertisement for the Eames lounge and ottoman.
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